{"id":6624,"date":"2019-05-24T17:19:07","date_gmt":"2019-05-24T16:19:07","guid":{"rendered":"https:\/\/kijkenenzien.nl\/wordpress\/?page_id=6624"},"modified":"2019-05-24T17:53:49","modified_gmt":"2019-05-24T16:53:49","slug":"exhibition-hockney-van-gogh","status":"publish","type":"page","link":"https:\/\/kijkenenzien.nl\/?page_id=6624","title":{"rendered":"Exhibition Hockney \u2013 Van Gogh (1 March &#8211; 26 May 2019)"},"content":{"rendered":"<p>Met Rob en Olga bezocht op woensdag 8 mei 2019 (Voor Olga&#8217;s 60e verjaardag).<\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"display: inline !important; float: none; background-color: #ffffff; color: #003478; font-family: 'Gotham Rounded SSm A','Gotham Rounded SSm B',Arial; font-size: 1.37rem; font-style: normal; font-variant: normal; font-weight: 400; letter-spacing: normal; line-height: 1.87rem; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\">For the first time, this spectacular exhibition offers an extensive and colourful exploration of the common ground between the work of Vincent van Gogh and David Hockney. The exhibition &#8216;Hockney &#8211; Van Gogh: The Joy of Nature&#8217; is now on view.<\/span><\/p>\n<p><span style=\"display: inline !important; float: none; background-color: #ffffff; color: #000000; font-family: 'Gotham Rounded SSm A','Gotham Rounded SSm B',Arial; font-size: 16px; font-style: normal; font-variant: normal; font-weight: 300; letter-spacing: normal; orphans: 2; text-align: left; text-decoration: none; text-indent: 0px; text-transform: none; -webkit-text-stroke-width: 0px; white-space: normal; word-spacing: 0px;\">The world-famous art of David Hockney (1937) is colourful and colossal. Hockney is inspired by nature, he makes use of bright colours and experiments with perspective. Van Gogh also dealt with this. The resemblances between the two artists are no coincidence. Vincent van Gogh was a great source of inspiration for David Hockney. Discover more parallels in the exhibition <\/span><em>Hockney &#8211; Van Gogh: The Joy of Nature.<\/em><\/p>\n<hr \/>\n<p>Tekst van David Hockney over fotografie en schilderen.<\/p>\n<p>Met fotografie kijk je niet echt &#8230; schilderen<\/p>\n<hr \/>\n<p><span>Wiki &#8211; David Hockney <\/span>&#8211; <a href=\"https:\/\/kijkenenzien.nl\/wordpress\/wp-content\/uploads\/2019\/05\/Wiki-David-Hockney.pdf\">Wiki &#8211; David Hockney<\/a><\/p>\n<p>Wiki &#8211; David_Hockney (1) &#8211; <a href=\"https:\/\/kijkenenzien.nl\/wordpress\/wp-content\/uploads\/2019\/05\/Wiki-David_Hockney-1.pdf\">Wiki &#8211; David_Hockney (1)<\/a><\/p>\n<hr \/>\n<h3><span id=\"Photocollages\" class=\"mw-headline\">Photocollages<\/span><\/h3>\n<p>In the early 1980s, Hockney began to produce <a class=\"mw-redirect\" title=\"Photo collage\" href=\"https:\/\/en.wikipedia.org\/wiki\/Photo_collage\">photo collages<\/a>\u2014which in his early explorations within his personal photo albums he referred to as &#8220;joiners&#8221;<sup id=\"cite_ref-38\" class=\"reference\"><a href=\"https:\/\/en.wikipedia.org\/wiki\/David_Hockney#cite_note-38\">[38]<\/a><\/sup>\u2014first using Polaroid prints and subsequently 35mm, commercially processed colour prints. Using <a title=\"Instant film\" href=\"https:\/\/en.wikipedia.org\/wiki\/Instant_film\">Polaroid<\/a> snaps or photolab-prints of a single subject, Hockney arranged a patchwork to make a composite image.<sup id=\"cite_ref-39\" class=\"reference\"><a href=\"https:\/\/en.wikipedia.org\/wiki\/David_Hockney#cite_note-39\">[39]<\/a><\/sup> Because the photographs are taken from different perspectives and at slightly different times, the result is work that has an affinity with <a title=\"Cubism\" href=\"https:\/\/en.wikipedia.org\/wiki\/Cubism\">Cubism<\/a>, one of Hockney&#8217;s major aims\u2014discussing the way human vision works. Some pieces are <a class=\"mw-redirect\" title=\"Landscape art\" href=\"https:\/\/en.wikipedia.org\/wiki\/Landscape_art\">landscapes<\/a>, such as <i>Pearblossom Highway #2<\/i>,<sup id=\"cite_ref-Getty_2-1\" class=\"reference\"><a href=\"https:\/\/en.wikipedia.org\/wiki\/David_Hockney#cite_note-Getty-2\">[2]<\/a><\/sup><sup id=\"cite_ref-40\" class=\"reference\"><a href=\"https:\/\/en.wikipedia.org\/wiki\/David_Hockney#cite_note-40\">[40]<\/a><\/sup> others <a title=\"Portrait\" href=\"https:\/\/en.wikipedia.org\/wiki\/Portrait\">portraits<\/a>, such as <i>Kasmin 1982,<\/i><sup id=\"cite_ref-41\" class=\"reference\"><a href=\"https:\/\/en.wikipedia.org\/wiki\/David_Hockney#cite_note-41\">[41]<\/a><\/sup> and <i>My Mother, Bolton Abbey, 1982.<\/i><sup id=\"cite_ref-42\" class=\"reference\"><a href=\"https:\/\/en.wikipedia.org\/wiki\/David_Hockney#cite_note-42\">[42]<\/a><\/sup><\/p>\n<p>Creation of the &#8220;joiners&#8221; occurred accidentally. He noticed in the late sixties that photographers were using cameras with wide-angle lenses. He did not like these photographs because they looked somewhat distorted. While working on a painting of a living room and terrace in Los Angeles, he took Polaroid shots of the living room and glued them together, not intending for them to be a composition on their own. On looking at the final composition, he realised it created a narrative, as if the viewer moved through the room. He began to work more with photography after this discovery and stopped painting for a while to exclusively pursue this new technique. Frustrated with the limitations of photography and its &#8216;one eyed&#8217; approach, however,<sup id=\"cite_ref-43\" class=\"reference\"><a href=\"https:\/\/en.wikipedia.org\/wiki\/David_Hockney#cite_note-43\">[43]<\/a><\/sup> he returned to painting.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Met Rob en Olga bezocht op woensdag 8 mei 2019 (Voor Olga&#8217;s 60e verjaardag). &nbsp; For the first time, this spectacular exhibition offers an extensive and colourful exploration of the common ground between the work of Vincent van Gogh and David Hockney. The exhibition &#8216;Hockney &#8211; Van Gogh: The Joy [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"template-fullwidth.php","meta":{"footnotes":""},"class_list":["post-6624","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/kijkenenzien.nl\/index.php?rest_route=\/wp\/v2\/pages\/6624","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/kijkenenzien.nl\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/kijkenenzien.nl\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/kijkenenzien.nl\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/kijkenenzien.nl\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=6624"}],"version-history":[{"count":11,"href":"https:\/\/kijkenenzien.nl\/index.php?rest_route=\/wp\/v2\/pages\/6624\/revisions"}],"predecessor-version":[{"id":6638,"href":"https:\/\/kijkenenzien.nl\/index.php?rest_route=\/wp\/v2\/pages\/6624\/revisions\/6638"}],"wp:attachment":[{"href":"https:\/\/kijkenenzien.nl\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=6624"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}